Featuring YOB’s transcendental new album, Here Lies Man’s second offering, and the return of Orange Goblin.
Svalbard’s Serena Cherry talks revenge porn, feminism, class struggles, animal welfare and parasites.
The man behind the noisepicking gives us a rundown of the duo’s debut album.
On 4/20, doom dominates our first reviews roundup, which includes some surprise releases from familiar faces.
Agrimonia flaunt their stellar song-crafting ability and inherent progressive capabilities on latest LP Awaken.
After honing his riff-crafting talents in Lord Of Putrefaction, Decomposed, Hangnail, Firebird and The Earls Of Mars, Harry Armstrong’s latest project takes a step towards metal’s origins in blues.
2017 has been a strange year at best – overshadowed by a sense of impending doom, it was inevitable that music’s dark side would rise again this year. And rise again it has.
We chat to psychedelic stoner rockers Lacertilia about the band’s influences and the intriguing concept behind their latest LP.
If Sect’s first album was a group of seasoned prize fights shaking off ring-rustiness, No Cure For Death is a gang of hardcore punk veterans, fighting fit and ready to take brass knuckles to the resurgent evils of the post-Trumpian world.
It’s almost unheard of for a band to release a masterpiece so late into their career but somehow Godflesh have achieved just that.
Infatuated with the Diploid’s devastating raucous, and driven by a wish to discover more about the album’s themes, we spoke to two-thirds of the band.