After honing his riff-crafting talents in Lord Of Putrefaction, Decomposed, Hangnail, Firebird and The Earls Of Mars, Harry Armstrong’s latest project takes a step towards metal’s origins in blues.
UK doomsters Garganjua combine the heavy with a raw emotive power on their sophomore album.
Though artists big and small will undoubtedly surprise us (for better or worse) as the year progresses, here’s a list of the bands we’re expecting big things from in 2018.
The latest instalment in the Leccy Wiz saga sees the band’s signature fuzz take a step back, allowing its riffs to take centre stage.
As Britain’s doom monoliths Electric Wizard gear up for the release of their ninth full-length, Wizard Bloody Wizard, we’ve decided to craft the definitive ranking of their studio albums. Vote below for which release you […]
Black Sabbath’s back catalogue is sorely lacking a truly brilliant live release, and as such, The End Of The End is likely to be remembered as their best.
More consistently intense than its forbearer, Bork is Mastiff’s most accomplished release thus far, and the truest representation of their miserable style.
An excerpt from our in-depth interview with Dragged Into Sunlight.
We caught up with Ghold in the aftermath of their UK tour with Bongripper to chat temporary housing, Ritual Productions and blown amps.