The third instalment of The Local Fuzz brings together an impressive roster of UK doom, from big names to up-and-comers.
UK doomsters Garganjua combine the heavy with a raw emotive power on their sophomore album.
Leeds trio BongCauldron have crafted a distinct style yet managed to stay true to their doomy vision, birthing one hell of a debut LP in the process.
King Goat’s all-dayer was an onslaught of noisy riffs, check out our review of the day.
If Sect’s first album was a group of seasoned prize fights shaking off ring-rustiness, No Cure For Death is a gang of hardcore punk veterans, fighting fit and ready to take brass knuckles to the resurgent evils of the post-Trumpian world.
Man Is Wolf To Man is a poignant masterpiece to those with the patience (and spare time) to delve into its expansive sound.
The latest instalment in the Leccy Wiz saga sees the band’s signature fuzz take a step back, allowing its riffs to take centre stage.
It’s almost unheard of for a band to release a masterpiece so late into their career but somehow Godflesh have achieved just that.
Godspeed You! Black Emperor hold a monolithic status over post-genre bands and musicians – enthralled to the noise, no-wave and post-hardcore scenes that sprung up around bands like Sonic Youth and […]
Transcending their genre through intelligent experimentations that seldom miss their mark, Blut Aus Nord offer up increasingly more punishing sonic stylings as they obliterate the notion of genre on Deus Salutis Meae.
The third instalment in the New York outift’s experimental discography continues to delve into challenging aural territories, blending their twisted interpretations of various metal subgenres to explore only the most torturous forms of musical extremity.
As challenging for its palpably raw emotion as it is for its heavy musical style, Mirror Reaper is a colossal album bound to take its place amongst only the most elite of the doom metal genre’s well-stocked history.
E is not the first time the Norwegian group has taken a good look at their sound before rebuilding it brick-by-brick, but it is one of the more noteworthy times.
Listening to Caustic start-to-finish is much like being dropped into a tomb lined with the bones of previous victims, as your captures go on to torture you in increasingly new and painful ways. Except, this is metal, so it’s enjoyable.
It has always been the role of working-class folk music to speak the truth to power and Dawn Ray’d have by turns incorporated that tradition into contemporary black metal.
The impressive roster of seasoned musicians that make up With The Dead provide a masterful and mercilessly dreary barrage of doom metal darkness throughout their second full-length effort.