Featuring YOB’s transcendental new album, Here Lies Man’s second offering, and the return of Orange Goblin.
Genre-hopping metallers prove the exhilarating potential of their new material.
Manuel Gagneux displays his songwriting skill on stunning sophomore LP.
Experimentation and careful songwriting has lead to an impressive debut LP that answers to no one but itself.
A night of reflective lows and uplifting highs awaited us at Grails’ Brighton headline show.
From trippy sludge and avant-garde death metal to laid-back “flower doom”, it’s been a good two weeks of music.
A colossal round-up of the best forward-thinking, noisy music the industry has to offer.
Wretched and oozing in a pit of blackened tar, Abjection Ritual’s latest is the pinnacle of filthy extreme metal.
Twenty years on, we revisit a ’90s death metal classic.
Parisian brothers WuW tell us more about their doomy brand of experimental music.
A double album that’s half black metal, half folk, Panopticon’s latest may just be Austin Lunn’s most ambitious endeavour yet.
Occult doom and classy jazz collide on the latest LP from Italian quartet Messa.
Primordial’s past efforts have put them above their contemporaries, but does their ninth LP continue the trend?
A musical voyage where minimalist doom, post-metal and space rock collide with the avant-garde.
The second album from Parisian duo Ddent proves even more expansive than their first.
The latest LP from mysterious Japanese doom cult Corrupted was designed to be played at both standard vinyl speeds, we take a closer look at whether this ambitious aim pays off.