Svalbard’s Serena Cherry talks revenge porn, feminism, class struggles, animal welfare and parasites.
A night of reflective lows and uplifting highs awaited us at Grails’ Brighton headline show.
Brighton experimentalists Aerosol Jesus talk us through their bleak debut EP, out now through Astral Noize.
The term “instrumental” seems to throw some people off, so here’s a list of bands you should check out to fix your perception.
A musical voyage where minimalist doom, post-metal and space rock collide with the avant-garde.
The second album from Parisian duo Ddent proves even more expansive than their first.
Agrimonia flaunt their stellar song-crafting ability and inherent progressive capabilities on latest LP Awaken.
Finding a home in the more exploratory realms of the extreme metal spectrum, Danish outfit Møl blend esoteric atmospheres with raging metallic power.
UK doomsters Garganjua combine the heavy with a raw emotive power on their sophomore album.
A discussion on creativity, Amen Ra’s namesake and alternative mixes.
Man Is Wolf To Man is a poignant masterpiece to those with the patience (and spare time) to delve into its expansive sound.
Ahead of their new LP, we caught up with vocalist Andrew Trevenen to discuss narrative in metal, cinema, and the delicate politics of listening to Burzum.
There were a few raised eyebrows recently when Holy Roar Records announced that two of their charges, Slabdragger and Wren, were to release a split featuring a cover of a Frank Zappa and Captain Beefheart track, respectively.
Italian instrumental quintet prove that life without vocals has no effect over a band’s ability to be creative.
We caught up with Misha to discuss the effects of professional studio work on the creative process, the tenuous existence of ancient aliens, and the world of Lemurian Dawn.
Like the swampy puddle on its cover, Wren’s Auburn Rule is dripping in a thick, inescapable mud of brooding heaviness.