Post-rock that centres the listener amongst tides of sound.
In conversation with three of Japan’s finest purveyors of innovative heavy music.
Four days of metal madness in Holland reviewed.
Experimental cellist Jo Quail on collaborating with metal artists and playing Roadburn.
Mono – Nowhere Now Here The term ‘post-metal’ was once synonymous with the term ‘experimental metal’, but in the few decades since its inception it has become evermore like a more traditional subgenre, complete with […]