It’s a testament to the absurdity of metal that an album called Tchornobog is one of Bandcamp’s best-selling albums from the genre in recent weeks.
So, what exactly does “astrogrind” sound like? Well if the third album from Greek outfit Dephosphorus is anything to go by, it’s a noisy and suitably eclectic style of music infused with smatterings of punk, various subgenres of extreme metal and, you guessed it, grindcore.
Asheran is a remarkably dynamic release that drifts through stoner rock, post-metal, doom, death and prog without dropping in quality.
It can be hard to pin down what it is exactly that listeners appreciate about bands like Omahara, and harder still to do so without sounding pretentious.
When big business comes along and destroys your whole city’s live music scene, house shows become the easiest way to fill the void.
Like the swampy puddle on its cover, Wren’s Auburn Rule is dripping in a thick, inescapable mud of brooding heaviness.
An excerpt from our in-depth interview with Dragged Into Sunlight.
We caught up with Ghold in the aftermath of their UK tour with Bongripper to chat temporary housing, Ritual Productions and blown amps.
“No boundaries, no masters. Play the riff if it’s right.”
This piece originally featured in our first issue, which can be purchased in its redux form here In modern doom, there’s a lot for metalheads to love, with huge riffs that hit you like a […]