With stoner rockers Monster Magnet releasing reissues of two of their early releases, today is undoubtedly a day to celebrate their back catalogue.

With stoner rockers Monster Magnet releasing reissues of two of their early releases, today is undoubtedly a day to celebrate their back catalogue.
Morbid Evils are not brooding post-metallers or experimental doomsters tinkering with notions of subtlety and slow-building tracks – they’re gut-punching metal heavyweights exploring every sonic definition of hatred.
We caught up with the bird stomping collective to talk black metal, political indifference, and of course, Buckfast.
If calling their debut album Prologue isn’t an indication that Poseidon are a band with big plans, then maybe their ambitious doom metal centred around a multi-stranded sci-fi narrative is.
So often are metal acts defined as “crazy” or “frenzied” that such descriptions often mean little in the grand scope of the genre, but if one band are deserving of such titles, it’s Pyrrhon.
Enthralled by the new LP, we spoke to Dvne about its grand concepts, the influence of Japanese animation, and the importance of standing out in modern metal.
We caught up with Herd Mover’s Jake Burgess (Guitars) to discuss the band’s origins, obscure covers, and politely getting rid of the notion of genre.
American black metallers Anagnorisis discuss latest album Peripeteia and how black metal means freedom.
It’s a testament to the absurdity of metal that an album called Tchornobog is one of Bandcamp’s best-selling albums from the genre in recent weeks.
So, what exactly does “astrogrind” sound like? Well if the third album from Greek outfit Dephosphorus is anything to go by, it’s a noisy and suitably eclectic style of music infused with smatterings of punk, various subgenres of extreme metal and, you guessed it, grindcore.