An excellent example of extreme metal’s refusal to clean up – Brooklyn experimentalist collective Gnaw have returned after four years, with a revitalized lineup and a brand new release.
Transcending their genre through intelligent experimentations that seldom miss their mark, Blut Aus Nord offer up increasingly more punishing sonic stylings as they obliterate the notion of genre on Deus Salutis Meae.
The third instalment in the New York outift’s experimental discography continues to delve into challenging aural territories, blending their twisted interpretations of various metal subgenres to explore only the most torturous forms of musical extremity.
Whilst many extreme and experimental acts of the past have challenged the polite notions of conservative Christianity through violent imagery, Father Murphy’s commentary on the religion is a unique one.
Having burst into the fore with last year’s stellar Balaklava, Bristol experimentalist Pessimist has further developed his fusion of jungle and techno with his self-titled debut full length on Blackest Ever Black. Whilst the synergy of […]
As Neurosis’ second album gets a reissue, we take a look at its importance in their musical progression.
Like the swampy puddle on its cover, Wren’s Auburn Rule is dripping in a thick, inescapable mud of brooding heaviness.
“No boundaries, no masters. Play the riff if it’s right.”