These three musicians coming together for a project should have ripped an obscene hole in time and space five years ago.
Black Peaks have done much to prove that artistic, classy and fearless modern music is capable of making a huge impact beyond the underground.
The Summer of Thou may now be in the past, but we won’t be forgetting Magus anytime soon.
The heaviest album of the decade? Quite possibly.
A monument to pain, but also a manual for survival.
Vile Luxury may be rooted in the brass-clad ruins of some fictional 1920s version of New York; but it also feels like a prediction of what the 2020s may bring.
Marissa Nadler finds nuggets of poetry in the humdrum of everyday life, turning doom and gloom into something ethereal.
Not only Elder’s crowning achievement but also one of the most innovative, memorable and impressive albums of the past decade.
The closest that The Black Dahlia Murder have come to surpassing the immense malice of 2007’s Nocturnal.
Sonoran Depravation combines all these sounds and ideas of what makes death metal death metal and shows them off wondrously.
There are few metal bands, UK or otherwise, that can compete with the stunning back catalogue of Architects.
Find out who takes the top spot this year.
Rescuing the band from a creative slump and some career-threatening personal squabbles, Diamond Eyes represented less a return to form and more a haughty show of strength.
Part one Astral Noize’s Albums of the Year for 2019.
We dive a little deeper on a modern classic.
As debuts go, there are few that can compete with Reign Of Suffering.