So, what exactly does “astrogrind” sound like? Well if the third album from Greek outfit Dephosphorus is anything to go by, it’s a noisy and suitably eclectic style of music infused with smatterings of punk, various subgenres of extreme metal and, you guessed it, grindcore.
Asheran is a remarkably dynamic release that drifts through stoner rock, post-metal, doom, death and prog without dropping in quality.
Those who’ve followed Colloquial Sound Recordings, or the work of its American founder Damian Master, may have been surprised when a release from his doom project Alluring dropped earlier this year. The bleak funeral doom […]
Having appeared seemingly out of nowhere in late 2015 with his thundering strain of 90s flavoured club production, Belgian based club-mentalist Bulma has been taking the darkened underworld of the club music spectrum by storm. Bulma’s […]
It can be hard to pin down what it is exactly that listeners appreciate about bands like Omahara, and harder still to do so without sounding pretentious.
When big business comes along and destroys your whole city’s live music scene, house shows become the easiest way to fill the void.
Like the swampy puddle on its cover, Wren’s Auburn Rule is dripping in a thick, inescapable mud of brooding heaviness.
Nepalese Temple Ball are one of the most fascinating propositions in doom-mongering UK noise. The south coast four piece’s curious genre-fusion has captured the UK doom scene with the ponderous melodicism of their recorded material […]
An excerpt from our in-depth interview with Dragged Into Sunlight.
Listening to a good post-metal release is much like taking a long walk in nature or reading a compelling book: cathartic in an entirely non-violent fashion. Whether its black metal’s continuous themes of darkness, sludge […]