On a personal level, Free Nelson Mandoomjazz was my find of 2016. In all honesty, it was the name that drew me in, but it was the mix of Sabbath-esque rhythms and free jazz Sax […]
As Britain’s doom monoliths Electric Wizard gear up for the release of their ninth full-length, Wizard Bloody Wizard, we’ve decided to craft the definitive ranking of their studio albums. Vote below for which release you […]
Some things, like the sudden, diamond-bullet connection between an 18-year-old and a band, in the back of a beaten up Fiesta, you can never replicate or get back. Some things are only beautiful when they die.
As challenging for its palpably raw emotion as it is for its heavy musical style, Mirror Reaper is a colossal album bound to take its place amongst only the most elite of the doom metal genre’s well-stocked history.
We had a chat with one half of Tronald to get the lowdown on the noisy sludge collective.
Having emerged seemingly from nowhere, without the aid of social media, or any of the trappings of today’s status-driven musical economy, Gilman Mom’s music speaks for itself.
E is not the first time the Norwegian group has taken a good look at their sound before rebuilding it brick-by-brick, but it is one of the more noteworthy times.
Extreme metal is a genre with a long history of political connotation – between the righteous, punk induced rackets of the genre’s genesis in the ’80s to the oft-questionable political stances (and the brushing under the […]
We caught up with Misha to discuss the effects of professional studio work on the creative process, the tenuous existence of ancient aliens, and the world of Lemurian Dawn.
Talking to hypnotising blackened hardcore group Slowly Building Weapons about their long-awaited return