If calling their debut album Prologue isn’t an indication that Poseidon are a band with big plans, then maybe their ambitious doom metal centred around a multi-stranded sci-fi narrative is.
With King Goat promising a busy and exciting year in 2018, we spoke to them about the themes found in their music, the origins of their progressive sound, the Brighton metal scene and more.
With four years of experience under his belt, Dean Lloyd Robinson – the tortured genius behind KnifedOutOfExistence – is one of the UK noise scene’s most distinctive propositions. Comfortable playing everywhere from crust punk all […]
So often are metal acts defined as “crazy” or “frenzied” that such descriptions often mean little in the grand scope of the genre, but if one band are deserving of such titles, it’s Pyrrhon.
Whilst synths and artificial programming are increasingly developing a healthy partnership with droning extremity, it’s still a rare thing that bands utilize these as primary instruments. Boobs Of DOOM, hailing from the frozen Caledonian wastelands […]
Enthralled by the new LP, we spoke to Dvne about its grand concepts, the influence of Japanese animation, and the importance of standing out in modern metal.
We caught up with Herd Mover’s Jake Burgess (Guitars) to discuss the band’s origins, obscure covers, and politely getting rid of the notion of genre.
American black metallers Anagnorisis discuss latest album Peripeteia and how black metal means freedom.
It’s a testament to the absurdity of metal that an album called Tchornobog is one of Bandcamp’s best-selling albums from the genre in recent weeks.
So, what exactly does “astrogrind” sound like? Well if the third album from Greek outfit Dephosphorus is anything to go by, it’s a noisy and suitably eclectic style of music infused with smatterings of punk, various subgenres of extreme metal and, you guessed it, grindcore.