Review: Black Sabbath – The End Of The End
Black Sabbath’s back catalogue is sorely lacking a truly brilliant live release, and as such, The End Of The End is likely to be remembered as their best.
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Review: Chelsea Wolfe – Hiss Spun
Wolfe’s enchanting brand of music benefits from taking an increased inspiration from metal on new album Hiss Spun.
Review: Ufomammut – 8
It will come as no surprise to long-time fans of Ufomammut that their perennial mastery of the genre continues on 8.
Review: Mastiff – Bork
More consistently intense than its forbearer, Bork is Mastiff’s most accomplished release thus far, and the truest representation of their miserable style.
Review: Morbid Evils – Deceases
Morbid Evils are not brooding post-metallers or experimental doomsters tinkering with notions of subtlety and slow-building tracks – they’re gut-punching metal heavyweights exploring every sonic definition of hatred.
Review: Pessimist – Self-Titled
Having burst into the fore with last year’s stellar Balaklava, Bristol experimentalist Pessimist has further developed his fusion of jungle and techno with his self-titled debut full length on Blackest Ever […]
Review: Poseidon – Prologue
If calling their debut album Prologue isn’t an indication that Poseidon are a band with big plans, then maybe their ambitious doom metal centred around a multi-stranded sci-fi narrative is.
Review: Pyrrhon – What Passes For Survival
So often are metal acts defined as “crazy” or “frenzied” that such descriptions often mean little in the grand scope of the genre, but if one band are deserving of such titles, it’s Pyrrhon.
Review: Tchornobog – Tchornobog
It’s a testament to the absurdity of metal that an album called Tchornobog is one of Bandcamp’s best-selling albums from the genre in recent weeks.
Review: Dephosphorous – Impossible Orbits
So, what exactly does “astrogrind” sound like? Well if the third album from Greek outfit Dephosphorus is anything to go by, it’s a noisy and suitably eclectic style of music infused with smatterings of punk, various subgenres of extreme metal and, you guessed it, grindcore.
Review: Dvne – Asheran
Asheran is a remarkably dynamic release that drifts through stoner rock, post-metal, doom, death and prog without dropping in quality.
Review: Omahara – Omahara
It can be hard to pin down what it is exactly that listeners appreciate about bands like Omahara, and harder still to do so without sounding pretentious.
Review: Wren – Auburn Rule
Like the swampy puddle on its cover, Wren’s Auburn Rule is dripping in a thick, inescapable mud of brooding heaviness.
Review: Adrift For Days – A Sleepless Grey
Listening to a good post-metal release is much like taking a long walk in nature or reading a compelling book: cathartic in an entirely non-violent fashion. Whether its black metal’s […]
Review: Gravetemple – Impassable Fears
Featuring the talents of none other than Mayhem crooner Attila Csihar and Sunn O))) mainman Stephen O Malley, Gravetemple’s latest release Impassable Fears is an engrossing slice of oddity. It’s difficult […]
Review: Harvestman – Music For Megaliths
Painstakingly created, Harvestman’s third album is a solo project in every sense of the word. Neurosis main man Steve Von Till performs everything from guitars to hurdy gurdy to grendel […]
