Man Is Wolf To Man is a poignant masterpiece to those with the patience (and spare time) to delve into its expansive sound.
The latest instalment in the Leccy Wiz saga sees the band’s signature fuzz take a step back, allowing its riffs to take centre stage.
It’s almost unheard of for a band to release a masterpiece so late into their career but somehow Godflesh have achieved just that.
There were a few raised eyebrows recently when Holy Roar Records announced that two of their charges, Slabdragger and Wren, were to release a split featuring a cover of a Frank Zappa and Captain Beefheart track, respectively.
Italian instrumental quintet prove that life without vocals has no effect over a band’s ability to be creative.
Code’s latest release only came out last January, but the progressive black metallers still have much to give 2017.
Stoic is an excellent addition to Ghold’s already formidable portfolio and a triumphant beginning for Crypt Of The Wizard. Here’s to many more.
Godspeed You! Black Emperor hold a monolithic status over post-genre bands and musicians – enthralled to the noise, no-wave and post-hardcore scenes that sprung up around bands like Sonic Youth and […]
Transcending their genre through intelligent experimentations that seldom miss their mark, Blut Aus Nord offer up increasingly more punishing sonic stylings as they obliterate the notion of genre on Deus Salutis Meae.
The third instalment in the New York outift’s experimental discography continues to delve into challenging aural territories, blending their twisted interpretations of various metal subgenres to explore only the most torturous forms of musical extremity.
As challenging for its palpably raw emotion as it is for its heavy musical style, Mirror Reaper is a colossal album bound to take its place amongst only the most elite of the doom metal genre’s well-stocked history.
E is not the first time the Norwegian group has taken a good look at their sound before rebuilding it brick-by-brick, but it is one of the more noteworthy times.
Listening to Caustic start-to-finish is much like being dropped into a tomb lined with the bones of previous victims, as your captures go on to torture you in increasingly new and painful ways. Except, this is metal, so it’s enjoyable.
It has always been the role of working-class folk music to speak the truth to power and Dawn Ray’d have by turns incorporated that tradition into contemporary black metal.
The impressive roster of seasoned musicians that make up With The Dead provide a masterful and mercilessly dreary barrage of doom metal darkness throughout their second full-length effort.
Black Sabbath’s back catalogue is sorely lacking a truly brilliant live release, and as such, The End Of The End is likely to be remembered as their best.