Some things, like the sudden, diamond-bullet connection between an 18-year-old and a band, in the back of a beaten up Fiesta, you can never replicate or get back. Some things are only beautiful when they die.
As challenging for its palpably raw emotion as it is for its heavy musical style, Mirror Reaper is a colossal album bound to take its place amongst only the most elite of the doom metal genre’s well-stocked history.
We had a chat with one half of Tronald to get the lowdown on the noisy sludge collective.
Having emerged seemingly from nowhere, without the aid of social media, or any of the trappings of today’s status-driven musical economy, Gilman Mom’s music speaks for itself.
E is not the first time the Norwegian group has taken a good look at their sound before rebuilding it brick-by-brick, but it is one of the more noteworthy times.
Extreme metal is a genre with a long history of political connotation – between the righteous, punk induced rackets of the genre’s genesis in the ’80s to the oft-questionable political […]
We caught up with Misha to discuss the effects of professional studio work on the creative process, the tenuous existence of ancient aliens, and the world of Lemurian Dawn.
Talking to hypnotising blackened hardcore group Slowly Building Weapons about their long-awaited return
Listening to Caustic start-to-finish is much like being dropped into a tomb lined with the bones of previous victims, as your captures go on to torture you in increasingly new and painful ways. Except, this is metal, so it’s enjoyable.
We caught up with frontman Rob Hoey to see how London-based outfit Limb’s third LP is progressing.
Doom’s essence has always been of the ethereal, so we’ve curated a selection of ethereal doom for your listening pleasure.
It has always been the role of working-class folk music to speak the truth to power and Dawn Ray’d have by turns incorporated that tradition into contemporary black metal.
The impressive roster of seasoned musicians that make up With The Dead provide a masterful and mercilessly dreary barrage of doom metal darkness throughout their second full-length effort.
Black Sabbath’s back catalogue is sorely lacking a truly brilliant live release, and as such, The End Of The End is likely to be remembered as their best.
You might be forgiven for thinking Farw’s origin among the rolling valleys of Wales might be an indicator of a strain of serene atmospheric black metal, but that’s certainly not […]
Written with good intentions but as if metal has been lost to the myths of time, let’s just hope articles like this come rarely, or are at least accompanied by more research, in the future.